In general, the dialogue and exposition is just so 2-dimensional and bland, it sounds like it was procedurally generated using an algorithm instead of human hands. A convenient mouthpiece chick shows up in the tavern, coincidentally at the same time as the MC king, and proceeds to go on one of the longest exposition dumps in the series. ![]() I’ve seen better story dialogue writing from 4th-grade students. Light spoilers ahead (not that you’d want to watch this series anyways). Not to mention the classic harem featuring all the tropes, from loli to tsundere to elves and milf-ish baddies. Genjitsu is a horrible anime, let alone an isekai, because it is predicated on never-ending, bloated dialogue and paradoxical scenarios. And as soon as the first episode concluded, I knew I was in for a trainwreck. at the back of my head, there was a voice warning me against setting my hopes high for this series. I’ve always been a fan of realism and reform through policy, add in my economics minor which I’m studying for uni, and you’ve got me hooked on the concept of a hero saving a world through policy reform. Riddled with memes about truck-kun, harems upon harems, stupidly overpowered perfect MCs, and ridiculously long names, it’s easy to see how this genre has become one of the stalest and over-farmed genres in all of anime.īut when I first read the description for Genjitsu, I was intrigued. What was once a promising and delightful genre has now become the punching bag of the anime community. The Middle Babylonian / Kassite Period (ca.Harry Burton (1879–1940): The Pharaoh’s Photographer. ![]() Art, Architecture, and the City in the Reign of Amenhotep IV / Akhenaten (ca.The Housemistress in New Kingdom Egypt: Hatnefer.“ Egyptian Tombs: Life Along the Nile.” (October 2004) “ An Artisan’s Tomb in New Kingdom Egypt.” (October 2004) “ Harry Burton (1879–1940): The Pharaoh’s Photographer.” (January 2009) “ The Housemistress in New Kingdom Egypt: Hatnefer.” (October 2004) Schulz, Regine, and Matthias Seidel, eds. New York: Metropolitan Museum of Art New Haven: Yale University Press, 2007. Gifts for the Gods: Images from Ancient Egyptian Temples. Cambridge, Mass.: Harvard University Press, 1953-59. The Scepter of Egypt: A Background for the Study of Egyptian Antiquities. Egypt's Golden Age: The Art of Living in the New Kingdom, 1558–1085 B.C. Boston: Museum of Fine Arts, 1988.įreed, Rita E. Mummies & Magic: The Funerary Arts of Ancient Egypt. ![]() (October 2000) Further Readingĭ'Auria, Sue, Peter Lacovara, and Catharine H. New York: The Metropolitan Museum of Art, 2000–. Known especially for monumental architecture and statuary honoring the gods and pharaohs, the New Kingdom, a period of nearly 500 years of political stability and economic prosperity, also produced an abundance of artistic masterpieces created for use by nonroyal individuals. At this site ( Deir el-Medina), they left a wealth of information about life in an ancient Egyptian community of artisans and craftsmen. A town was established in western Thebes for the artists who created these tombs. The pharaohs built their mortuary temples here and were buried in huge rock-cut tombs decorated with finely executed paintings or painted reliefs illustrating religious texts concerned with the afterlife. As a result, the New Kingdom pharaohs commanded unimaginable wealth, much of which they lavished on their gods, especially Amun-Re of Thebes, whose cult temple at Karnak was augmented by succeeding generations of rulers and filled with votive statues commissioned by kings and courtiers alike.Īlthough the rulers of Dynasty 19 established an administrative capital near their home in the Delta, Thebes remained a cultural and religious center. Ahmose’s successors in Dynasty 18 conducted military campaigns that extended Egypt’s influence in the Near East and established Egyptian control of Nubia to the fourth cataract. This was finally accomplished by Ahmose I, who reunited Egypt, ushering in the New Kingdom-the third great era of Egyptian culture. 1650–1550 B.C.), the Theban rulers (Dynasty 17) began to drive the Hyksos kings (Dynasty 15) from the Delta. Late in the Second Intermediate Period (ca.
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